Hollis Frampton

Artificial Light (1969) 16mm 
silent 
25 min

ARTIFICIAL LIGHT repeats variations on a single filmic utterance twenty times. The same phrase is a series of portrait shots of a group of young New York artists talking, drinking wine, laughing, smoking, informally. The individual portrait-shots follow each other with almost academic smoothness in lap-dissolves ending in two shots of the entire group followed by a dolly shot into a picture of the moon... There is a chasm between the phrase and its formal inflections. That chasm is intellectual as well as formal. Frampton loves an outrageous hypothesis; his films, all of them, take the shape of logical formulae. Usually the logic he invokes is that of the paradox... In a recent lecture at the Millennium in New York, Frampton hypothesized an atemporal alternative to the history of cinema, illustrated by a sequence of his works. With ARTIFICIAL LIGHT, which was not completed in time for that lecture, he challenges the newest historical phase of the formal cinema, the Structural film. -- p. Adams Sitney, Film Culture Reader

--Film-makers Cooperative

Duration: 0:23:58
Data Size: 283.59 MB
Bit Rate: 1.65 Mbps

Video Tracks:
DivX 5.0, 720 × 480, 29.97 fps, 1.65 Mbps

Audio Tracks:

Stream Files:
Artificial Light (AVI).avi (283.59 MB)